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“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • FINALIST FOR THE EDMUND WHITE AWARD FOR DEBUT FICTION AND THE VERMONT BOOK AWARD • LONGLISTED FOR THE DUBLIN LITERARY AWARD AND THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

NEW YORK TIMES NOTABLE BOOK • NEW YORK TIMES BESTSELLER • FINALIST FOR THE 2025 WOMEN'S PRIZE • A fascinating meditation on freedom, trust, loss, and our relationship with the natural world, explored through the story of one woman’s unlikely friendship with a wild hare. A BEST BOOK OF THE YEAR: The Washington Post, The Wall Street Journal, NPR, TIME, The Boston Globe, The Economist, Scientific American, Slate “Moving. . . . Impart[s] valuable lessons about slowing down and the beauty in the unexpected.”—USA Today “A perfect testimony to the transformative power of love.”—Margaret Renkl, author of The Comfort of Crows Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and bounded around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, more than two years later, it still ran in from the fields when you called it and slept in your house for hours on end. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality. In February 2021, Dalton stumbles upon a newborn hare—a leveret—that had been chased by a dog. Fearing for its life, she brings it home, only to discover how difficult it is to rear a wild hare, most of whom perish in captivity from either shock or starvation. Through trial and error, she learns to feed and care for the leveret with every intention of returning it to the wilderness. Instead, it becomes her constant companion, wandering the fields and woods at night and returning to Dalton’s house by day. Though Dalton feared that the hare would be preyed upon by foxes, weasels, feral cats, raptors, or even people, she never tried to restrict it to the house. Each time the hare leaves, Chloe knows she may never see it again. Yet she also understands that to confine it would be its own kind of death. Raising Hare chronicles their journey together while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature, and folklore. We witness firsthand the joy at this extraordinary relationship between human and animal, which serves as a reminder that the best things, and most beautiful experiences, arise when we least expect them.

A pulse-pounding new Southern thriller from the author of the runaway bestseller A Flicker in the Dark. Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her eighteenth birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist... until an unexpected call from her father forces her to come back home and face it all anew. With the entire summer now looming ahead—a summer spent with nothing to do in her childhood home, with her estranged mother—Claire decides on a whim to accept a seasonal job at Galloway Farm, a muscadine vineyard in coastal South Carolina less than an hour away from where she grew up. At first glance, Galloway is an idyllic escape for Claire. A scenic retreat full of slow-paced nostalgia, as well as a place where her sister seemed truly happy in that last summer before she vanished, it feels like the perfect plan to pass the time. However, as soon as Claire starts to settle in, she stumbles across an old diary written by one of the vineyard's owners, and what at first seems like a story of young rebellion and love turns into something much more sinister as it begins to describe details of various unsolved crimes. As the days stretch on, Claire finds herself becoming more and more secluded as she starts to obsess over the diary's contents… as well as the lingering feeling that her own sister's disappearance may be somehow tied to it all. Galloway was supposed to be a place to help her move forward, but instead, Claire quickly finds herself immersed in her own dark and dangerous past.