The Vegetarian: A Novel
FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE
“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
A NEW YORK TIMES BESTSELLER
WINNER OF THE INTERNATIONAL BOOKER PRIZE
ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
A KIRKUS REVIEWS BEST FICTION BOOK OF THE CENTURY
“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
A NEW YORK TIMES BESTSELLER
WINNER OF THE INTERNATIONAL BOOKER PRIZE
ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
A KIRKUS REVIEWS BEST FICTION BOOK OF THE CENTURY
“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
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Community Reviews
I don't know how this book became a best seller. However I would like to attempt to read another book from the author as the author is excellent at making dynamic characters. Very good word choices.
once in a while, one comes across a truly remarkable book, remarkable for a variety of reasons. the characters are both conflicted and conflicting, the writing is raw and poetic; this was no easy read but one that will stay with me for a long time.
The Vegetarian was a complicated, dark and challenging read. From my perspective, the story is trying to portray the affects of mental illness and it's effect on those surrounding them. I find that as the story progressed, we are given hints that the main character's condition may have been dormant for her entire life and maybe the signs were always there but over looked by family members. I am sorry to say that a theme of abuse is present in this book with our main character, Yeong-hye being the recipient of it. From her husband, to her father and mother and even her brother in law. Even with the difficulties of Yeonh-Hye's changing personality and actions, I have to say that the brightest part of this story was the commitment and reliability that her older sister has for caring for her as things get progressively worse.
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