The Vegetarian
FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE
“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
A NEW YORK TIMES BESTSELLER
WINNER OF THE INTERNATIONAL BOOKER PRIZE
ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
ONE OF THE GUARDIAN’S 100 BEST NOVELS OF ALL TIME
A KIRKUS REVIEWS BEST FICTION BOOK OF THE CENTURY
“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
“[Han Kang’s] intense poetic prose . . . exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
A NEW YORK TIMES BESTSELLER
WINNER OF THE INTERNATIONAL BOOKER PRIZE
ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY
ONE OF THE GUARDIAN’S 100 BEST NOVELS OF ALL TIME
A KIRKUS REVIEWS BEST FICTION BOOK OF THE CENTURY
“Ferocious.”—The New York Times Book Review (Ten Best Books of the Year)
“Both terrifying and terrific.”—Lauren Groff
“Provocative [and] shocking.”—The Washington Post
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Celebrated by critics around the world, The Vegetarian is a darkly allegorical, Kafka-esque tale of power, obsession, and one woman’s struggle to break free from the violence both without and within her.
A Best Book of the Year: BuzzFeed, Entertainment Weekly, Wall Street Journal, Time, Elle, The Economist, HuffPost, Slate, Bustle, The St. Louis Dispatch, Electric Literature, Publishers Weekly
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Community Reviews
What Bookclubbers are saying about this book
✨ Summarized by Bookclubs AI
Readers say *The Vegetarian* by Han Kang features breathtaking, hauntingly beautiful prose and vivid imagery that blurs the line between reality and d...
This book is so breathtakingly written and hauntingly beautiful. Every single page leads you to beautiful vivid images that then leads you to wondering where reality ends and dreams begin. Han Kang is now one of my favorite authors.
This book kept me on edge the whole time. I kept thinking that something strange or surreal would happen. Kang paints that imaginary in your mind so well, of her standing in front of the fridge or turning into a tree.
But what meant so much to be as someone with trauma, a passed history with disordered eating, and as a therapist - was that the horror was non-consent. The horror was being mentally vulnerable around men, and having no facilities to protect yourself. The horror was reality, and that’s everything I look for in reading.
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