No Friend to This House: A Novel

A Best Book of the Year from The Observer

No Friend to This House is an extraordinary reimagining of the myth of Medea from the New York Times bestselling author of Stone Blind, Natalie Haynes.

This is what no one tells you, in the songs sung about Jason and the Argo. This part of his quest has been forgotten, by everyone but me . . .

Jason and his Argonauts set sail to find the Golden Fleece. The journey is filled with danger, for him and everyone he meets. But if he ever reaches the distant land he seeks, he faces almost certain death.

Medea—priestess, witch, and daughter of a brutal king—has the power to save the life of a stranger. Will she betray her family and her home, and what will she demand in return?

Medea and Jason seize their one chance of a life together, as the gods intend. But their love is steeped in vengeance from the beginning, and no one—not even those closest to them—will be safe.

Based on the classic tragedy by Euripides, this is Medea as you've never seen her before . . .

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Published Mar 10, 2026

384 pages

Average rating: 7.25

4 RATINGS

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Community Reviews

Janet H
Mar 16, 2026
7/10 stars
Jason and the Argonouts told from a feminist perspective. Compelling story, great characters, well written though the shift in narration from third to first person felt laboured at times.
scarroll
Nov 17, 2025
7/10 stars
I have read a number of Haynes' books at this point and I can say that she is reliably great. I think since the mania over The Song of Achilles (a deeply misogynist misrepresentation by the way, but that's a discussion for another time) there has been an insatiable thirst for Greek myth retellings among readers. A Thousand Ships was a triumphant counteroffer to that thirst, righting the ship of the conversation with better accuracy and consideration. Haynes typically ignores the impulse to scrub the original stories of their uncomfortable, less palatable moments, and this is to her credit. After reading Pandora's Jar and listening to her podcast episode about Medea, I was very excited to read this book. Her Medea chapter in Pandora's Jar is my favorite in a book full of excellent and informative chapters. She has consistently acknowledged, in the past, that Medea is unlike any other mortal woman in myth. She does things and is represented in ways typically only reserved for male heroes or even deities themselves. So, I was a bit disappointed when Medea's final "decision" (idk why I'm avoiding spoilers, you've had like 1000+ years to read the original) was presented like a no-brainer, so cleanly, like she was just a mother with no better choice, I was a tad disappointed. I understand the instinct to protect the protagonist in the eyes of the reader, but I think there was a way to do that while preserving Medea in all her magical, blood-soaked, revenge-seeking glory. Why does she HAVE TO be doing the right thing? Why can't she be as petty and violent as her male counterparts have always been? Regardless, I very much enjoyed the book. Like I said at the beginning, Haynes is reliably great and always entertaining. Her expertise on the entire journey of the Argo is made abundantly clear in the way she pulls female characters from near obscurity to the forefront of the readers view. This has always been one of her greatest strengths as an author. My handful of run-on sentences about one qualm should absolutely not dissuade any reader from taking on her version of one of the most interesting Greek myths.

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