A Thousand Ships: A Novel
NATIONAL BESTSELLER
An NPR Best Book of the Year
“Gorgeous.... With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War.”—Madeline Miller, author of Circe
Shortlisted for the Women’s Prize for Fiction, a gorgeous retelling of the Trojan War from the perspectives of the many women involved in its causes and consequences—for fans of Madeline Miller.
This is the women’s war, just as much as it is the men’s. They have waited long enough for their turn . . .
This was never the story of one woman, or two. It was the story of them all . . .
In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.
From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women whose lives, loves, and rivalries were forever altered by this long and tragic war.
A woman’s epic, powerfully imbued with new life, A Thousand Ships puts the women, girls and goddesses at the center of the Western world’s great tale ever told.
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Community Reviews
i didnât love: the narrator felt like someone reading you a book. like it wasnât immersive? i think it required the reader to remember a lot about mythology and history. sometimes iâd have to google something because i forgot and it would just briefly mention it
When a war was ended, the men lost their lives. But the women lost everything else.
Once all fighting has stopped, what happens to the women? The survivors, the wives, the sisters, the daughters, the fighters. Natalie Hynes takes the Iliad as a starting point to explore the lives of these women and the complicated and complex feelings they experience due to their fates. We get to observe the women of Troy deal with their grief after the fall of the city and their anxiousness at their unknown future, Penelope during her long wait for Odysseus and all the bitter feelings this inspires, even the goddesses make an appearance in here. Yet, with every single point of view I encountered, I still didn't feel a thing.
I think this book stretched itself too thin trying to include as many women as possible to back up its central thesis and reason of being, in an effort to cause a greater emotional impact it actually managed to do the opposite. With such a high quantity of characters, it's difficult to create interest in them or to give all the women a particular voice. On top of that you have diverse style, prose, and tone in each chapter, and a non linear narrative which muddles everything further. My experience was closer to reading vignettes than an actual fully realized book, a reference manual in a way.
My main gripe with this book is that it didn't feel like Hynes was saying anything new. In this day and age, it seems like every day there's a new "feminist" retelling of Greek myths and stories, the market is saturated enough that you need something to make you stand out and here it lacked anything distinct. I was especially bothered by the character of Calliope, clearly an author avatar, whose sole existence was to be a mouthpiece for Hynes and to go "get it?" hint hint at the reader. Yes, I actually got it from the very summary, I don't need to be led like a blind horse. For a story about women, I thought it revolved too much about the men, and yes it would be impossible to tell these stories without their influence, but perhaps the author could have focused more on the emotionality of these characters in the face of their individual situations. There was just this general sense of resignation permeating the book that made me disengage from the very beginning. Tragedy for tragedy's sake.
Some miscellaneous complaints over here. First I found the lack of Helen baffling. I could even understand the bashing from the other characters in the book, I too would be mad at her for the part she played in the conflict whether it was logical to blame only her or not, but the author not giving her a space to speak and tell her story when she is one of the pillars of the Iliad was odd. Made me think all the Helen bashing was serious and not a narrative choice by the author. I already mentioned Calliope as the author's mouthpiece, but I would also like to add that she sounded like she knew what an iPhone was and it got on my nerves. Then there was Penelope retelling the whole plot of the Odyssey to her husband... Odysseus himself, which struck me as lazy even with all the quips and petty dialog from her. The last chapter from her point of view frustrated me because it was way more interesting than all the past ones and showed the squandered promise of this book.
Maybe the feminist retelling was the friends we made along the way.
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