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Discussion Guide

Shuggie Bain

Shuggie Bain Book Club Questions PDF

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Winner of the Booker Prize

Finalist for the National Book Award in Fiction

Finalist for the Kirkus Prize for Fiction

Finalist for the Center for Fiction Debut Novel Prize

 

“We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love. The book gives a vivid glimpse of a marginalised, impoverished community in a bygone era of British history. It’s a desperately sad, almost-hopeful examination of family and the destructive powers of desire.”

Booker Prize Judges

 

“The body—especially the body in pain—blazes on the pages of Shuggie Bain . . . This is the world of Shuggie Bain, a little boy growing up in Glasgow in the 1980s. And this is the world of Agnes Bain, his glamorous, calamitous mother, drinking herself ever so slowly to death. The wonder is how crazily, improbably alive it all is . . . The book would be just about unbearable were it not for the author’s astonishing capacity for love. He’s lovely, Douglas Stuart, fierce and loving and lovely. He shows us lots of monstrous behavior, but not a single monster—only damage. If he has a sharp eye for brokenness, he is even keener on the inextinguishable flicker of love that remains . . . The book leaves us gutted and marveling: Life may be short, but it takes forever.”

New York Times Book Review

 

“The tough portraits of Glaswegian working-class life from William McIlvanney, James Kelman, Alasdair Gray, and Agnes Owens can be felt in Shuggie Bain without either overshadowing or unbalancing the novel . . . Stuart’s capacity for allowing wild contradictions to convincingly coexist is also on display in the individual vignettes that comprise the novel, blending the tragic with the funny, the unsparing with the tender, the compassionate with the excruciating. He can even pull off all of them in a single sentence . . . This overwhelmingly vivid novel is not just an accomplished debut. It also feels like a moving act of filial reverence.”

James Walton, New York Review of Books

 

“A debut novel that reads like a masterpiece, Shuggie Bain gives voice to the kind of helpless, hopeless love that children can feel towards broken parents. Shuggie and his mother live in an 1980’s Glasgow subsidized-housing apartment tower, where she drinks and he explores his sexuality under circumstances that allow for scant imagination about a different future for either.”

Bethanne Patrick, Washington Post

 

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