Go as a River
Seventeen-year-old Victoria Nash runs the household on her family’s peach farm in the small ranch town of Iola, Colorado—the sole surviving female in a family of troubled men. Wilson Moon is a young drifter with a mysterious past, displaced from his tribal land but determined to live as he chooses.
Victoria encounters Wil by chance on a street corner, profoundly altering both of their young lives, unknowingly igniting as much passion as danger. When tragedy strikes, Victoria leaves the only life she has ever known, fleeing into the nearby mountains. Taking shelter in a small hut, she struggles to survive in the wilderness, with no clear notion of what her future will bring. As the seasons change, she also charts the changes in herself, finding in the natural world the strength and meaning that sets her on a quest to regain all that she has lost, even as the Gunnison River rises to submerge her homeland—its ranches, farms, and the beloved peach orchard that has been in her family for generations.
Inspired by true events surrounding the destruction of the town of Iola in the 1960s, Go as a River is a story of deeply held love in the midst of hardship and loss, but also of finding courage, resilience, friendship, and, finally, home—where least expected. This stunning debut explores what it means to lead your life as if it were a river—gathering and flowing, finding a way forward even when a river is dammed.
This discussion guide was shared and sponsored in partnership with Spiegel & Grau.
Book club questions for Go as a River by Shelley Read
Use these discussion questions to guide your next book club meeting.
Shelley Read based Go as a River on an historical event––the destruction of the town of Iola, Colorado, which now lies at the bottom of Blue Mesa Reservoir. Discuss the way the idea of “home” is treated in the novel. What makes a home? Is one’s childhood home ever somewhere to which one can truly return? Victoria states, “The landscapes of our youths create us, and we carry them within us, storied by all they gave and stole, in who we become.” Is this true for you? Where and how does Victoria find another “home”?
Wil and Victoria’s relationship is a case of star-crossed lovers from different backgrounds and cultures. We know very little about Wil’s life before he arrived in Iola. Do you feel the novel should have revealed more about Wil and where he came from? Why do you think the author held back? Can you imagine a future in which Victoria and Wil might have been able to stay together? Why or why not?
When Victoria and Wil meet, Victoria has spent all of her life in one place, whereas Wil is a drifter. How does this contribute to who each of them is?
Many of the characters in the novel are shaped by the losses they have suffered. For Victoria, her father, Seth, and Og, the deaths of their loved ones in the car accident means they share a common tragedy, but they each respond to this trauma in different ways. Og also experiences the loss of his brother and his leg in the war, and Ruby-Alice, Inga, and Lukas suffer loss as well. Discuss the role of loss in the novel. Why do you think Victoria can move forward in her life, while many other characters cannot?
Go as a River turns on the brutal murder of Wil, which is the culmination of the racism he has suffered throughout his life. Discuss the role prejudice plays in the novel. How are Wil, Lukas, and Ruby-Alice affected by people’s incorrect assumptions? How are Victoria and Inga also limited by societal norms?
When pregnant Victoria flees to the wilderness, she is exposed to the elements and must survive on her own. How do the forces of nature in the Big Blue contrast with those in Iola? As Victoria attunes herself to her new forest home, she finds herself changing: “Woven in some great and mysterious tapestry, the only sound I listened for was the steady pulse of the vast collection of beating hearts, the inhale and exhale of a million lives being lived alongside mine. I realized I had never been less afraid in my life.” How would you characterize the role of the natural world in Victoria’s development? What does her time in the wilderness allow her to discover about herself?
Victoria’s decision to sell her family’s farm to the government and leave Iola is seen by many in the community as an act of betrayal. What factors beyond the threat of the new reservoir compel Victoria to leave? Do you believe she had an obligation to stay? Why does Seth want to return to Iola? Was Victoria right to lie to Seth and remove the family’s orchard without his knowledge?
Victoria expects Ruby-Alice’s funeral to be a small affair, in keeping with her status as the town’s outsider. But, to Victoria’s surprise, a large gathering of townsfolk attend the burial, joining hands and singing the community funeral song for Ruby-Alice. Were you also surprised? How did this moment change or develop your opinion of the townspeople of Iola? Do you agree or disagree with Victoria’s belief that most would have also attended a funeral for Wil, had they been given the chance?
The high arid climate of the Gunnison Valley is not a natural fit for peaches, yet the Nash family succeeds in adapting their Georgia peach trees to Iola, and, later, Victoria manages to transplant the orchard to Paonia. Why do you think she feels so strongly about transplanting the trees? The trees’ ability to survive and then thrive under trying circumstances mirrors Victoria’s own path. In what ways is the orchard a metaphor for Victoria’s journey? Does saving the orchard give Victoria the purpose she is looking for?
Zelda compares the displacement of Iola residents for the creation of the reservoir to the forced removal of the Ute tribe, the indigenous people of Colorado’s Western Slope, pointing out that the place the current inhabitants like to call their own once was another people’s homeland. She acknowledges that the two circumstances are “not the same,” but what is Zelda’s point? Do you agree or disagree? How is Zelda’s comment linked to Victoria’s thoughts about “progress” as she is turned away from visiting Iola one final time?
While Inga and Victoria are initially bonded by their different circumstances––Inga’s ability to provide what Victoria cannot––there are also many parallels between them. What similarities do you see between Inga and Victoria? What differences?
The title of the book refers to a phrase first spoken by Wil that eventually becomes a mantra for Victoria. Toward the end of the novel, Victoria ponders what she might say to her lost son: “I would explain that what I had learned most about becoming is that it takes time. I would say I had tried, as Wil taught me, to go as a river, but it had taken me a long while to understand what that meant.” What do you think it means to “go as a river”?
What do you believe happened next for Victoria, Inga, Zelda, and Lukas after the final lines of the novel?
Go as a River Book Club Questions PDF
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“Shelley Read has written a splendid American Gothic tale of a young woman broken by circumstances who must find a way to forgive before she can love. Victoria Nash is a character for the ages as she navigates loss and despair on the road to redemption. The vast plains and desert canyons of her Colorado home are filled with ghosts until a mysterious drifter arrives and changes the course of her life forever. Go as a River is a stunning debut set in the soul of the American dream.”
—Adriana Trigiani, author of The Good Left Undone
“Completely spellbinding, vivid, and luminous.”
—Jane Green, author of Sister Stardust
“Shelley Read's lyrical voice is a force of nature, and when she lends it to a woman leading a hardscrabble life in rural Colorado, the result is tragic, uplifting – and completely unforgettable.”
—Bonnie Garmus, author of Lessons in Chemistry
“Shelley Read’s devastatingly beautiful debut, Go as a River, delivers so very much: the tenderness and curiosity of young love, the eternal pangs of loss, the brutality of racism, the sustaining power of nature even in the face of man’s destruction, and the precarious miracle of a mother’s love. Suffused with wisdom and compassion, this shattering testimony to life is one to be savored, treasured, shared.”
—Meg Waite Clayton, internationally bestselling author of The Postmistress of Paris
“In Go as a River, Shelley Read delivers a heartbreaking and uplifting tale of a girl becoming a woman in a man’s world. Young Victoria Nash is as tough and resilient as the Colorado mountains where she takes refuge, and as tender as the peaches that are her family legacy. Book clubs will love this redemptive story.”
—Tiffany Quay Tyson, author of The Past Is Never
“This soaring, compassionate tale of female resilience is set against a breath-taking picture of our natural world – its trees and mountains and light.”
—The Independent (UK).
“An auspicious debut."
—Kirkus Reviews (starred review)
“Affecting.”
–Publishers Weekly