Women Talking: (Movie Tie-in)
International Bestseller and the basis of the Oscar-winning film from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand.
"This amazing, sad, shocking, but touching novel, based on a real-life event, could be right out of The Handmaid's Tale." --Margaret Atwood, on Twitter
"Scorching . . . a wry, freewheeling novel of ideas that touches on the nature of evil, questions of free will, collective responsibility, cultural determinism, and, above all, forgiveness." --New York Times Book Review, Editors' Choice
One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm.
While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women--all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in--have very little time to make a choice: Should they stay in the only world they've ever known or should they dare to escape?
Based on real events and told through the "minutes" of the women's all-female symposium, Toews's masterful novel uses wry, politically engaged humor to relate this tale of women claiming their own power to decide.
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Community Reviews
It was somewhat jarring that a book that seemed as though it was to be about female empowerment was told from a man's perspective, but it worked. He is privy to the women talking as an amanuensis; none of the women can read or write, but want their deliberations preserved for posterity. He's an outsider in the colony, for reasons that aren't entirely clear, but his outsider status allows the women to trust him for this task, and makes him appropriately sensitive to them, in a way that no other man of their acquaintance could, or would, be.
And perhaps this is a realistic notion of what could happen when such an insulated group of people is threatened in this way. But I found it troubling to read about a group of women facing such a threat to themselves and their children and spending two days sitting in a hayloft debating the finer points of free will, rather than making actual plans. The lack of action in the books gives it a claustrophobic feel, which seems appropriate under the circumstances, and that feeling of clautrophobia helps keep the pressure on throughout the narrative, having the effect of sucking the reader through the story, rather in the manner of a pneumatic tube.
So what will the women decide to do, and will they be able to follow through on that decision? That is what they are talking about, and the question of whether they will be able to sieze their freedom, no matter what they decide, will leave the reader thinking long after the last page.
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