Velvet Was the Night
From the New York Times best-selling author of Mexican Gothic comes a “delicious, twisted treat for lovers of noir” (Simone St James, New York Times best-selling author of The Sun Down Motel) about a daydreaming secretary, a lonesome enforcer, and the mystery of a missing woman they’re both desperate to find.
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Community Reviews
I didn't love this like I loved Mexican Gothic, and this book gets unfairly compared with it - including by me. I do enjoy a good noir tale, but my expectations were (again, unfairly) set by MG. However, Morena-Garcia is a masterful wordsmith and her stories have an enchanting quality. I enjoyed it. I do wish I had read this one before MG.
Velvet Was the Night is historical fiction and noir, and Silvia Moreno-Garcia does it well. At the start of the book you're a little confused as to what is really going on, and if you aren't familiar or well-versed with the music and the historical facts being tossed at you, you might scoff at the book in disappointment. Silvia adds a playlist to this wonderful book, and I would recommend you give it a quick listen on Spotify.
This book isn't Mexican Gothic, but it isn't lacking in story-telling. It's a very well researched book. I would compare this book to making a big ol'pot of caldo. At first you're crafting everything together, a little irritated at the details of cutting onions and vegetables. You let your caldo simmer, for a little bit too long, wondering if you did something wrong or if it's going to turn out right. In the end, it turns out into that hearty spicy substance that gives life. That's Velvet Was the Night. Slow simmering, sour and displaying the human condition at its dullest while delivering it's built up promise.
Maite and Elvis are the people we follow throughout the story, they aren't very likable characters. Elvis comes off as a low-wage scum who is in it for a paycheck. Maite is a very bored secretary who is both consumed in her comic-novellas and her self-hatred. At first glance, you wonder why Silvia even bothers writing about these characters, it just doesn't seem right! But it does, this is noir. Reminding us that the world is also dark, and people who are dull and dry exist within it. It doesn't mean these people lack substance, and they are any less interesting because they aren't charming, good-looking and likable. The ending is just that punch of flavor we all expect from the good ol'caldo. Also, toss in the playlist Silvia has crafted for this book, it will make all of the background noise come to life.
This book isn't Mexican Gothic, but it isn't lacking in story-telling. It's a very well researched book. I would compare this book to making a big ol'pot of caldo. At first you're crafting everything together, a little irritated at the details of cutting onions and vegetables. You let your caldo simmer, for a little bit too long, wondering if you did something wrong or if it's going to turn out right. In the end, it turns out into that hearty spicy substance that gives life. That's Velvet Was the Night. Slow simmering, sour and displaying the human condition at its dullest while delivering it's built up promise.
Maite and Elvis are the people we follow throughout the story, they aren't very likable characters. Elvis comes off as a low-wage scum who is in it for a paycheck. Maite is a very bored secretary who is both consumed in her comic-novellas and her self-hatred. At first glance, you wonder why Silvia even bothers writing about these characters, it just doesn't seem right! But it does, this is noir. Reminding us that the world is also dark, and people who are dull and dry exist within it. It doesn't mean these people lack substance, and they are any less interesting because they aren't charming, good-looking and likable. The ending is just that punch of flavor we all expect from the good ol'caldo. Also, toss in the playlist Silvia has crafted for this book, it will make all of the background noise come to life.
Velvet Was the Night takes place in Mexico during the 1970s, also known as the time of the Dirty War. In this time in history, the Mexican CIA used paramilitary groups to attack, torture, and kill protesters and activists.
Elvis is a member of a paramilitary group but is not affiliated with the type of organized crime and is called a “marshmallow” by other members of the group for not participating in the violence. Maite is a self-sufficient young lady who works as a secretary at a law firm and has an obsession with romance comics. When Maite’s neighbor goes missing, she begins to hunt her down. Her path starts to cross with Elvis’ and they both become encountered with danger.
Silvia Moreno-Garcia knows how to set an intriguing atmosphere within her books. I felt captivated immediately with this one. I do feel that I am in the minority with this one because I actually found it more enjoyable than Mexican Gothic. I am new to the slower-paced noir genre and am glad that I stepped out of my comfort zone for this.
Silvia Moreno-Garcia does not disappoint and I will continue reading everything she releases.
Elvis is a member of a paramilitary group but is not affiliated with the type of organized crime and is called a “marshmallow” by other members of the group for not participating in the violence. Maite is a self-sufficient young lady who works as a secretary at a law firm and has an obsession with romance comics. When Maite’s neighbor goes missing, she begins to hunt her down. Her path starts to cross with Elvis’ and they both become encountered with danger.
Silvia Moreno-Garcia knows how to set an intriguing atmosphere within her books. I felt captivated immediately with this one. I do feel that I am in the minority with this one because I actually found it more enjoyable than Mexican Gothic. I am new to the slower-paced noir genre and am glad that I stepped out of my comfort zone for this.
Silvia Moreno-Garcia does not disappoint and I will continue reading everything she releases.
I found this started quite slowly and was also very different from what I expected having read Mexican Gothic. Silo is Moreno-Garcia writes beautiful prose and this got me past the first five chapters where my dislike for the main characters was most present. Both Maite and Elvis grew on me and the last third is great. The ending is nicely concluded while leaving a future oath open.
What a nice experience, I chose this book willing to know a bit more about the Mexican culture, and received as a present a interesting misterious and dramatic scenario, just like a Mexican telenovela should look like. What surprise me the most was rich music experience brought to the story that if you listen to them as present it enhances all the scenes, even when you are not reading the book.
I am not sure about the genre but i for sure would recommend this reading
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