The Poisonwood Bible: A Novel

New York Times Bestseller • Pulitzer Prize Finalist • An Oprah's Book Club Selection
“Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review
The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. This special Harper Perennial Deluxe Edition features beautiful cover art on uncoated stock, French flaps, and deckle-edge pages, making it the perfect gift book.
The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil.
The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.
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Community Reviews
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Readers say *The Poisonwood Bible* is a beautifully written, powerful novel that offers deep historical insights into colonization and its lasting imp...
Barbara Kingsolver is incapable of writing boring or poorly written books! The Poisonwood Bible is gripping, painful, exhilarating, and triumphant. It was a Pulitzer Prize finalist, which also tells you something.
Terrifying in ways. Coming of age. Place and purpose are challenged. Certainly memorable.
Changed my worldview - better understanding of Africa
Really liked this one. I will say that Demon Copperhead is a little bit better, but mainly because it's funnier.
This one tells a great story - really good dramatization of what US policy does to people in countries most people in the US never think about.
One might be tempted to say that there can't be Christians out there who are as hardheaded as the father of this family, but I've met them. In Oklahoma, they're all over the place. To be frank, several of them have prominent places either in or next to the current administration in the US, particularly in the State Department. The book does a decent job of paralleling the imperious attitude of the missionary to the imperious approach of the US government. I also like that it has a nice contrast of what respectful Christian mission work can look like.
I was skeptical of the multiple narrator thing since 4 of the 5 are just daughters in the same family, but it did actually work out to be a fairly interesting way of doing things, especially with respect to Leah and Adah, although some of the stuff with Adah came off pretentious. It's not that I don't like that sort of play with words - I love modernism - but I just don't think that is Kingsolver's strong suit. For example, the whole backward/forward thing never really paid off.
The book does sometimes do little impressions of Toni Morrison waxing emotional - bordering on the cliche. This was especially the case in the 1st chapter and then again in the last 150 or so pages.
The last 150 pages, even when they did address plot, dragged on quite a bit. That's why I dropped from a 5 to 4 star. There were just a number of spots where it felt like it should have ended, but it kept going.
This one tells a great story - really good dramatization of what US policy does to people in countries most people in the US never think about.
One might be tempted to say that there can't be Christians out there who are as hardheaded as the father of this family, but I've met them. In Oklahoma, they're all over the place. To be frank, several of them have prominent places either in or next to the current administration in the US, particularly in the State Department. The book does a decent job of paralleling the imperious attitude of the missionary to the imperious approach of the US government. I also like that it has a nice contrast of what respectful Christian mission work can look like.
I was skeptical of the multiple narrator thing since 4 of the 5 are just daughters in the same family, but it did actually work out to be a fairly interesting way of doing things, especially with respect to Leah and Adah, although some of the stuff with Adah came off pretentious. It's not that I don't like that sort of play with words - I love modernism - but I just don't think that is Kingsolver's strong suit. For example, the whole backward/forward thing never really paid off.
The book does sometimes do little impressions of Toni Morrison waxing emotional - bordering on the cliche. This was especially the case in the 1st chapter and then again in the last 150 or so pages.
The last 150 pages, even when they did address plot, dragged on quite a bit. That's why I dropped from a 5 to 4 star. There were just a number of spots where it felt like it should have ended, but it kept going.
Loved this book. I got the sense of characters lives and was living their pain. Beautiful story telling. Thank you, Barbara Kingsolver.
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