The Night of Baba Yaga (Soho Crime)
A fierce mixed-race fighter develops a powerful attachment to the yakuza princess she’s been forced to protect in this explosive queer thriller: Kill Bill meets The Handmaiden meets Thelma and Louise.
Tokyo, 1979. Yoriko Shindo, a workhorse of a woman who has been an outcast her whole life, is kidnapped and dragged to the lair of the Naiki-kai, a branch of the yakuza. After she savagely fends off a throng of henchmen in an attempt to escape, Shindo is only permitted to live under one condition: that she will become the bodyguard and driver for Shoko Naiki, the obsessively sheltered daughter of the gang’s boss.
Eighteen-year-old Shoko, pretty and silent as a doll, has no friends, wears strangely old-fashioned clothes, and is naive in all matters of life. Originally disdaining her ward, Shindo soon finds herself far more invested in Shoko’s wellbeing than she ever expected. But every man around them is bloodthirsty and trigger-happy. Shindo doubts she and Shoko will survive much longer if nothing changes. Could there ever be a different life for two women like them?
Akira Otani’s English-language debut moves boldly through time and across gender, stretching the definitions and possibilities of each concept. Rendered in a gorgeous translation by International Booker–shortlisted Sam Bett, this lean, mean thriller proves that bonds forged in fire are unbreakable.
Tokyo, 1979. Yoriko Shindo, a workhorse of a woman who has been an outcast her whole life, is kidnapped and dragged to the lair of the Naiki-kai, a branch of the yakuza. After she savagely fends off a throng of henchmen in an attempt to escape, Shindo is only permitted to live under one condition: that she will become the bodyguard and driver for Shoko Naiki, the obsessively sheltered daughter of the gang’s boss.
Eighteen-year-old Shoko, pretty and silent as a doll, has no friends, wears strangely old-fashioned clothes, and is naive in all matters of life. Originally disdaining her ward, Shindo soon finds herself far more invested in Shoko’s wellbeing than she ever expected. But every man around them is bloodthirsty and trigger-happy. Shindo doubts she and Shoko will survive much longer if nothing changes. Could there ever be a different life for two women like them?
Akira Otani’s English-language debut moves boldly through time and across gender, stretching the definitions and possibilities of each concept. Rendered in a gorgeous translation by International Booker–shortlisted Sam Bett, this lean, mean thriller proves that bonds forged in fire are unbreakable.
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Community Reviews
Shindo and Shoko are unlovable character with no depth. Except for the one part describing their lives on the run. That was the only place in the book where the characters weren’t mean to each other.
Casual gratuitous violence (sexual and otherwise), misogyny, and sprinkles of transphobia with no commentary whatsoever.
Also, I still don’t understand how the title is connected to the book. My takeaway was that the girls decide at the end that they prefer to be Baba Yaga and not cute little docile women. I’ve heard other interpretations of Baba Yaga that are so much more interesting and here it falls completely flat.
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