The Giver: A Newbery Award Winner (Giver Quartet, 1)

In Lois Lowry’s Newbery Medal–winning classic, twelve-year-old Jonas lives in a seemingly ideal world. Not until he is given his life assignment as the Receiver does he begin to understand the dark secrets behind his fragile community.
Life in the community where Jonas lives is idyllic. Designated birthmothers produce newchildren, who are assigned to appropriate family units. Citizens are assigned their partners and their jobs. No one thinks to ask questions. Everyone obeys. Everyone is the same. Except Jonas.
Not until he is given his life assignment as the Receiver of Memory does he begin to understand the dark, complex secrets behind his fragile community. Gradually Jonas learns that power lies in feelings. But when his own power is put to the test—when he must try to save someone he loves—he may not be ready. Is it too soon? Or too late?
Told with deceptive simplicity, this is the provocative story of a boy who experiences something incredible and undertakes something impossible. In the telling it questions every value we have taken for granted and reexamines our most deeply held beliefs.
The Giver has become one of the most influential novels of our time. Don't miss the powerful companion novels in Lois Lowry's Giver Quartet: Gathering Blue, Messenger, and Son.
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Community Reviews
World: One word: dystopian. The world of âThe Giverâ is a purely, and perfectly, dystopian world that works extremely well. Generally dystopian worlds come off as cliches, but this world did not. While everything is regulated and sameness is required to keep the people complacent, it doesnât come across as an overbearing, all-consuming concept. The citizens are happy. The fact that the society hides all of its general cruelty behind the common practices of day-to-day life makes the darkness imperceptible. Donât get me wrong. The society is cruel and corrupt, but it still shows compassion and care for the citizens, lessening the stereotypical Big Brother government.
Character: Jonas is around eleven years old, turning twelve during the novel. As such it would be expected to read from a childâs point of view. However, the world in which Jonas lives allows him, or rather forces him, to mature quite quickly. After all, the ceremony of twelve is when the children become adults and must start training in their professions for a life after school, which is much earlier than weâre used to in society nowadays. That being said, he speaks with an adultâs wisdom. His words are carefully planned out and he explains the world with great deal, allowing the reader to truly see what he sees and understand how he feels, made easy by the way he constantly analyzes his feelings. (Another important part of this world.)
Plot: The plot is both cliché and not of the Dystopian genre. Itâs cliché because it focuses on a corrupt society where one child is selected from a pool to take on a great task and inevitably learns of the corruption and wants to find a way to destroy it. It even has a very cliché ending. Even with all of the clichés, the novel works so well. The clichés donât grate on the reader, but enhance the novel and the world because the novel handles the clichés in a way thatâs not glaringly obvious or overbearing.
Though, I must say that some parts were a little difficult to read based on the fact that Jonas did not yet know how to feel, as is natural for their society. Unfortunately, such an element left the book with a very standoffish tone. It made it hard to become invested in the characters, especially since nothing was remotely at stake throughout a good portion of the book. That is until Jonas is chosen to be the next Receiver for his community.
While apprehensive about the new task and the life set out before him Jonas accepts all of the memories from The Giver with ease, forcing himself back day after day. His sense of duty is strong, even if the rest of the feelings he becomes acquainted with throughout the book are not. At least, to me they werenât. I felt this sense of disconnect with him even as he explained all of the memories and the emotions associated with them. The only emotion I ever truly felt was his concern for his fellow community members. Again this comes from his sense of duty to the community and itâs this devotion to the people which forces him to run away so that all of the members of the community will receive the memories once again, so that they may actually feel things as he has. Itâs in the moments before he leaves that we truly see Jonas as the child that he truly is: when he pleads with The Giver to go with him.
The ending of the book is the most cliché part of the entire book, but it works. The ending, not giving us an answer of whether Jonas truly finds Elsewhere, or whether he even survives, is the best part. It leaves the reader with so many questions. It leaves them with this hope that he made it without blatantly stating that he made it to Elsewhere, that there is another civilization outside of the community, that the community he left has managed to cope with their new memories. Itâs a cliffhanger without the drop-off feeling of a book ending. Itâs for this reason that I accept the ending of this book fully and wholeheartedly in spite of it being a cliché, which means I need to find the other three books in the series to see how they incorporate the clichés into this Dystopian world. For now, though, I leave this book, âThe Giverâ by Lois Lowry with my rating of four stars.
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