Roots: The Saga of an American Family

When Roots was first published forty years ago, the book electrified the nation: it received a Pulitzer Prize and was a #1 New York Times bestseller for 22 weeks. The celebrated miniseries that followed a year later was a coast-to-coast event-over 130 million Americans watched some or all of the broadcast. In the four decades since then, the story of the young African slave Kunta Kinte and his descendants has lost none of its power to enthrall and provoke.
Now, Roots once again bursts onto the national scene, and at a time when the race conversation has never been more charged. It is a book for the legions of earlier readers to revisit and for a new generation to discover.
To quote from the introduction by Michael Eric Dyson: "Alex Haley's Roots is unquestionably one of the nation's seminal texts. It affected events far beyond its pages and was a literary North Star.... Each generation must make up its own mind about how it will navigate the treacherous waters of our nation's racial sin. And each generation must overcome our social ills through greater knowledge and decisive action. Roots is a stirring reminder that we can achieve these goals only if we look history squarely in the face."
The star- studded cast in this new event series includes Academy Award-winners Forest Whitaker and Anna Paquin, Laurence Fishburne, Jonathan Rhys Meyers, Derek Luke, Grammy Award-winner Tip "T.I." Harris, and Mekhi Phifer. Questlove of The Roots is the executive music producer for the miniseries's stirring soundtrack.
BUY THE BOOK
Community Reviews
I loved the book, and highly recommend it. But since I don't have much to say about that which hasn't already been said before, let me point out two things I wasn't wild about. The first is the technique Haley used to try and locate the narrative in time for his readers. Slave conversations full of names, locations, and other specific details did the expository work he wanted them to do, I suppose, but they were jarringly unrealistic. Especially in a book with so much rich detail, they really took me out of the narrative. I would much rather he simply named the years at the beginning of each chapter, or something along those lines. His characters could then have made vague allusions to events (as they surely would have in real life), rather than speaking about them as though they were teaching a survey course.
The second issue I have is more significant. Haley deals with the most recent generation or two in about as much space as it takes him to describe individual days and nights earlier in the book. It's not hard to imagine why he might do this. He may have just been ready to move on. Perhaps he thought his reader would be familiar enough with recent history so that his description wouldn't add much, and perhaps he thought recent history was simply less important than previous generations. Surely he also felt some (economic, professional, literary) pressure to get the thing done and to keep the length manageable. I have to wonder whether there was ever a discussion of making it a two-volume work, to allow more space for this part of the story, but I doubt it was seriously considered. I'm conscious of this lack, though, and it feels like a real one, partly because of Isabel Wilkerson's The Warmth of Other Suns. She points out quite well, I think, the way this chapter of America's race history has been underestimated and undervalued. She also shows quite well how individual stories can be used to illuminate it. It's a shame, really, that Haley didn't do the same.
But again, I really liked this book, those two complaints notwithstanding. I'm also aware of the controversy surrounding Haley's claims about how factual the book is. I'm put off by that, certainly. But I never assumed the book was at all factual until I finally reached the end (where he makes that claim). So I'm judging it here on its merits as a work of historical fiction, and on that ground I think it stands pretty firmly.
See why thousands of readers are using Bookclubs to stay connected.