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Eileen: A Novel
Now a major motion picture streaming on Hulu, starring Anne Hathaway and Thomasin McKenzie Shortlisted for the Man Booker Prize "Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic--and yet, in her own inimitable way, endearing--misfits I've encountered in fiction. Trust me, you have never read anything remotely like Eileen." --Washington Post So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes--a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father's caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys' prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father's messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen's story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.
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Community Reviews
this is like a 2.5 for me - the main character is a bit absurd but sometimes she would say something that made me laugh out loud however the plot twist was so dark and gruesome for no reason i failed to see the point of why it was included
The writing is decent and you definitely can tell itâs a debut but i am disappointed bc MYORAR is so good in terms of comedic morbidity while also delivering some sort of purpose
This book lacked that too me
The writing is decent and you definitely can tell itâs a debut but i am disappointed bc MYORAR is so good in terms of comedic morbidity while also delivering some sort of purpose
This book lacked that too me
My husband heard about Eileen and thought I would like it. It wasnât badly written. In fact, one of the problems for me is that the FMC is so well-written, I just found her to be so viscerally unlikable and gross, which made the rest of the story, which already rambles and meanders quite a bit, very hard for me to âenjoy.â I flirted with the idea of DNFing this, but it wasnât especially long, so I finished the audiobook in a day. If Iâd been reading it, I probably would not have finished. The tale and prose gave me similar vibes as some works of Chuck Palahniuck, which Iâve also wanted to DNFâcrude, bleak, and brutal stylings that make you wrinkle your nose and say, eww, thatâs just weird for the sake of being weird. IYKYK. The ending and the reveal about Lee, for me, was also a little predictable, since it says right there in the summary that Eileen ends up complicit in a crime that Rebecca commits, however the summary also states that âThis is the story of how I disappeared.â Well, the whole story was quite literally 77% exposition. I listened and listened and listened wondering when the main conflict would reveal itself, the crime and complicity mentioned in the summary, and then the action starts at 82%, and the ending is very anti-climactic. This story is made 1000% more interesting when you consider the theory that Rebecca is Eileenâs alter-ego/imaginary friend, but none of that occurred to me until after I had already finished. Also, supposedly the author has confirmed this theory. I guess Iâll watch the film now and see what it reveals.
Not mysterious enough. The big reveal of Eileen seemed anticlimactic and I was left thinking, "That's it?"
3.5, I have no idea what to say about this one. Pretty much all of the characters were quite unlikable (at least from the narrators pov) but I still wanted to keep reading.... I think
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