Crime Plus Music: Twenty Stories of Music-Themed Noir

The lively anthology's chilling, sinister tales tap into the span of rock and pop history, ranging from Peter Blauner's heart-wrenching "The Last Temptation of Frankie Lymon" to Fusilli's "Boy Wonder," set in the world of contemporary electronic dance music; from Naomi Rand's "The Misfits," a punk-rock revenge saga to Mark Haskell Smith's menacingly comedic "1968 Pelham Blue SG Jr."; from Reed Farrel Coleman's study of a one-hit wonder, "Look at Me/Don't Look at Me" to Erica Wright's account of betrayal among minor talents in "A Place You're Likely to Find"-and many more.
CRIME + MUSIC exposes the nasty side of the world of popular music, revealing it to be the perfect setting for noir tales.
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