The New York Times-bestselling novel by the critically acclaimed author of Native Speaker, A Gesture Life and My Year Abroad.

At 59, Jerry Battle is coasting through life. His favorite pastime is flying his small plane high above Long Island. Aloft, he can escape from the troubles that plague his family, neighbors, and loved ones on the ground. But he can't stay in the air forever. Only months before his 60th birthday, a culmination of family crises finally pull Jerry down from his emotionally distant course.

Jerry learns that his family's stability is in jeopardy. His father, Hank, is growing increasingly unhappy in his assisted living facility. His son, Jack, has taken over the family landscaping business but is running it into bankruptcy. His daughter, Theresa, has become pregnant and has been diagnosed with cancer. His longtime girlfriend, Rita, who helped raise his children, has now moved in with another man. And Jerry still has unanswered questions that he must face regarding the circumstances surrounding the death of his late wife.

Since the day his wife died, Jerry has turned avoiding conflict into an art form-the perfect expression being his solitary flights from which he can look down on a world that appears serene and unscathed. From his comfortable distance, he can't see the messy details, let alone begin to confront them. But Jerry is learning that in avoiding conflict, he is also avoiding contact with the people he loves most.

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Published Mar 1, 2005

384 pages

Average rating: 4

1 RATING

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Community Reviews

Mara M. Zonderman
Aug 01, 2023
4/10 stars
I guess the point of this book is that it's kind of apathetic and just sort of drifts along with no particular direction. Which is all well and good, except that it doesn't make for a very good read. It's sort of boring and annoying. In this book, all the characters are flat, and rather unlikeable. Due to the first-person narrator, we don't even get much of a sense of the other characters; they're just sort of background-noise to the non-story being told. The effect is that we never really feel connected to the story, and don't really care about any of the characters. Also, our first-person narrator has an extreme tendency to ramble in run-on sentences. As a literary technique, I don't mind this too much, but when the character himself is boring, any little quirk in his voice becomes grating.

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