Piranesi

New York Times Bestseller
Winner of the Women's Prize for Fiction
World Fantasy Awards Finalist
The instant New York Times bestselling novel from the author of Jonathan Strange & Mr Norrell, an intoxicating, hypnotic book set in a dreamlike alternative reality.
Piranesi's house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
There is one other person in the house-a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.
For readers of Neil Gaiman's The Ocean at the End of the Lane and fans of Madeline Miller's Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds.
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Community Reviews
I’ve tried fitting different “real-life” conditions to the story of the labyrinth/House.
The House represents…
Drug addiction
Losing self in a toxic relationship
Response to trauma
I think I like the trauma connection best. In The Body Keeps the Score, the author talks about how when people experience traumatic events, the way it sticks with them (or releases them) is related to whether a person is trapped and alone with their experience, or whether they can access or even just imagine a kind of escape.
Man, I just had a bunch of ahas while I was up making my coffee and now I have to track them down again…
The precipitating event: Betrayal of trust - trust in a person’s intentions, or simply trust that the world is safe and relatively predictable. Exploitation of human curiosity. This is how each character gets trapped in the House. Someone who knows more treats them inhumanely and subjects them to the whim of experimentation. Betrayal and willful dehumanization.
The initial panic and rage at being trapped there gives way fairly quickly to survival mode (though several did not in fact survive). Piranesi creates his own safety in learning how to get his basic needs met - how to eat, stay warm, find his way around (but not out).
And then I’m seeing him try to fill in the upper layer of his Maslow pyramid as best he can - accepting the Other as an actual friend and partner in research. Talking to the rooks. Admiring and loving the statues. Continuing to feed his curiosity by exploring farther and deeper into the labyrinth. He’s doing so much to reconstruct his humanity within his isolation
And then when he gets wise to the truth of it all, and someone even comes to rescue him, he doesn’t want to leave. He knows he is a different person than the guy who went in there, and that guy is relegated to his subconscious (now I’m thinking of Being John Malkovich! Ha!). He has totally rebuilt himself and made peace with his new circumstances, and it was a permanent transformation. He doesn’t see how he can go back to the other world, let alone to being that other person again.
But his rescuer re-humanizes him. Gives him choice, information, and connection. She manages to draw him back into his original world - no longer his home world. And instead of making a full recovery and rejoining society, he forever belongs to both places. He even wonders if he will someday want to go back to the House permanently. He’s not really free of it, but free to choose how often he goes there and how long he stays.
So that resonates with what I understand about trauma. Being permanently changed by a new, necessary survival mode, and then later (hopefully) having the opportunity to shed the parts that don’t serve us anymore.
I think that’s all I have time to hash out this morning, but thank you for listening! And for the rec. I LOVE that I get to spend my morning coffee with these thoughts.
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