Northanger Abbey

Henry Tilney tells Catherine that his father was attached to his mother and greatly afflicted by her death. Do you believe him?

Although Northanger Abby was the first book Austen sold, it was one of the last published. Some readers feel that it’s obviously an early work without the narrative control Austen was soon to develop. Do you agree? Why or why not?

Catherine Morland is clearly a suggestible reader, but her gullibility extends beyond books into the real world. Is the tendency to think the best of people a trait you admire? Is it a trait you have?

The one character about whom Catherine is inclined to think the worst is General Tilney. Why is this? She is humiliated when Henry realizes how her imagination has run away with her, but how mistaken is she really regarding his general character? Are her powers of imagination more reliable than her powers of observation?

Henry, himself, is a controversial hero. Sylvia Warner Townsend has suggested she thinks he’s one of Austen’s most delightful. Some find him witty and appealingly interested in feminine matters. Others find him condescending and even misogynistic. Ask another reader of Northanger Abbey what s/he thinks of Henry and then argue with whatever position s/he takes.

Of his father, Henry says that, given his temperament, “he loved . . .as well as it was possible for him to.” How well do you imagine it will be possible for Henry to love? Affectionately? Passionately? Steadfastly?

Why does he choose Catherine and how much in love with her is he?

Hidden within Austen’s satire on gothic novels is Eleanor Tilney’s story. Eleanor has a dead mother, an overbearing father, and ends up married to a viscount. Imagine the book if Austen had chosen Eleanor as the heroine. Would it have been a gothic novel?

Northanger Abbey is a book about reading. Much of the plot has to do with the folly of confusing one’s own life with the stuff of fictional adventure. But the book also contains a famous Austen defense of novels and novelists, particularly those read and written by women.

We are told immediately that Catherine does not object to books so long as “nothing like useful knowledge could be gained from them” and they are “all story and no reflection.” Escapist fiction continues, in our day, to have a bad reputation. Is that reputation deserved?

Austen flatters the reader of Northanger Abbey by allowing him/her to see and understand things the heroine does not. It’s fun for readers to find that they are smarter than the people in books. Have you read books in which you felt you were smarter than the author? Is that also fun? Is it possible to like a book if it makes you feel you’re not quite smart enough to read it?

What kind of difficulty level do you like in a book? Think of some books that are just difficult enough for you to enjoy. Think of some books that are too difficult.

The romance genre is arguably our own most popular form of fiction. Is the romance genre empowering or damaging to women readers? Do these fictions have real life implications for women? Are its antecedents the same novels Austen is poking fun at in Northanger Abbey? Or would you trace its lineage back to Austen herself?

What is the role of fiction in your own life? Why do you read it and what do you want from it?