What We Talk About When We Talk About Love: Stories
The most celebrated story collection from “one of the true American masters” (The New York Review of Books)—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark that includes the iconic and much-referenced title story featured in the Academy Award-winning film Birdman.
"Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review
"Raymond Carver's America is ... clouded by pain and the loss of dreams, but it is not as fragile as it looks. It is a place of survivors and a place of stories.... [Carver] has done what many of the most gifted writers fail to do: He has invented a country of his own, like no other except that very world, as Wordsworth said, which is the world to all of us." —The New York Times Book Review
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Community Reviews
I really only liked the first story, "Why Don't You Dance?"
I didn't even like the title story that much, though I did like this one quote in it: "Well, the husband was very depressed for the longest while. Even after he found out that his wife was going to pull through, he was still very depressed. Not about the accident, though. I mean, the accident was one thing, but it wasn't everything. I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through his eye-holes. He said that was what was making him feel bad. Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his goddamn head and see his goddamn wife.'"
Took me much longer to read this collection than I expected given how short it is.
I didn't even like the title story that much, though I did like this one quote in it: "Well, the husband was very depressed for the longest while. Even after he found out that his wife was going to pull through, he was still very depressed. Not about the accident, though. I mean, the accident was one thing, but it wasn't everything. I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through his eye-holes. He said that was what was making him feel bad. Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his goddamn head and see his goddamn wife.'"
Took me much longer to read this collection than I expected given how short it is.
I really loved this collection. All the stories are really sparse and have this tone of detachment; it was really different reading this often very emotive subject matter being narrated in almost a cold tone. I feel like this aspect of the collection really worked well; the icy tone of the narration really heightened my own emotional reactions, particularly in stories like The Bath, Tell The Women We're Going, and Popular Mechanics. The title story is really thought provoking, I'm still thinking about it days after finishing it. Will definitely be picking up another of his collections soon!
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