The Widows of Malabar Hill (A Perveen Mistry Novel)
1920s India: Perveen Mistry, Bombay's only female lawyer, is investigating a suspicious will on behalf of three Muslim widows living in full purdah when the case takes a turn toward the murderous. The author of the Agatha and Macavity Award–winning Rei Shimura novels brings us an atmospheric new historical mystery with a captivating heroine.
This Deluxe Paperback Edition features: an interview with the author, discussion questions, essays on the real-life inspirations behind the novel, delicious recipes taken from the story, and previews of The Satapur Moonstone.
Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's law firm, becoming one of the first female lawyers in India. Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes women's legal rights especially important to her.
Mistry Law has been appointed to execute the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen examines the paperwork, she notices something strange: all three of the wives have signed over their full inheritance to a charity. What will they live on? Perveen is suspicious, especially since one of the widows has signed her form with an X—meaning she probably couldn't even read the document. The Farid widows live in full purdah—in strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate, and realizes her instincts were correct when tensions escalate to murder. Now it is her responsibility to figure out what really happened on Malabar Hill, and to ensure that no innocent women or children are in further danger.
Inspired in part by the woman who made history as India's first female attorney, The Widows of Malabar Hill is a richly wrought story of multicultural 1920s Bombay as well as the debut of a sharp new sleuth.
This Deluxe Paperback Edition features: an interview with the author, discussion questions, essays on the real-life inspirations behind the novel, delicious recipes taken from the story, and previews of The Satapur Moonstone.
Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's law firm, becoming one of the first female lawyers in India. Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes women's legal rights especially important to her.
Mistry Law has been appointed to execute the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen examines the paperwork, she notices something strange: all three of the wives have signed over their full inheritance to a charity. What will they live on? Perveen is suspicious, especially since one of the widows has signed her form with an X—meaning she probably couldn't even read the document. The Farid widows live in full purdah—in strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate, and realizes her instincts were correct when tensions escalate to murder. Now it is her responsibility to figure out what really happened on Malabar Hill, and to ensure that no innocent women or children are in further danger.
Inspired in part by the woman who made history as India's first female attorney, The Widows of Malabar Hill is a richly wrought story of multicultural 1920s Bombay as well as the debut of a sharp new sleuth.
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Community Reviews
India in 1921, Perveen is a female lawyer working with her dad inBombay. As a female she can not go to court to present her cases, so she helps her father with legal documents. When a case involving the distribution of three widows inheritance comes to her attention, Perveen wants to investigate and make sure all three wives are being represented justly.
The historical elements make this story fascinating. The descriptions of the cultures of the numerous groups that inhabit the world of Bombay is intricate and informative. I also enjoyed the back story of the protagonist, Perveen. Her ill-fated romance and the aftermath that sent her down her current path.
The mystery was adequate, but I was left wanting more at the end. Maybe it is the character motivations, or maybe it is the colorful backdrop. Whatever the reason the ending felt anti-climactic. I love a good mystery, this on didn't hit quite right.
The historical elements make this story fascinating. The descriptions of the cultures of the numerous groups that inhabit the world of Bombay is intricate and informative. I also enjoyed the back story of the protagonist, Perveen. Her ill-fated romance and the aftermath that sent her down her current path.
The mystery was adequate, but I was left wanting more at the end. Maybe it is the character motivations, or maybe it is the colorful backdrop. Whatever the reason the ending felt anti-climactic. I love a good mystery, this on didn't hit quite right.
I thoroughly enjoyed this story. This historical mystery was well thought out and delivered wonderfully. I enjoyed reading about the culture of Indian women in the early 1900s. The development of the main character, Praveen Mistry, was done really well giving you a strong background for the story. The setting was beautifully described and appropriate for the story the mystery unfolded with a few little surprises and because of the culture in India during this time presented some challenges that I was grateful to learn about I believe I will complete reading the series. I would recommend this book and I believe the reader would be nicely surprised by how well it was written, thought out and delivered.
The first installment of this mystery series is more historical fiction with a mystery woven into it. I really enjoyed learning about the culture in India during the early 1900âs and the author really laid the groundwork for the series by giving the reader the background of Perveen Mistry.
I doubt I would have picked this up if it hadn't been a book club choice. I loved learning about India circa 1920. The use of the dual time line really gives the reader a well-rounded view of life for women at that time/place. I felt it was a well-thought out mystery. There were enough clues in the story that sometimes I'd think "hmm, maybe..." and when we got to the ending, it all made sense, giving me a satisfying "ahh, yes, that makes sense" feeling. My biggest irritation was the "explain-it-all" narrative by a character, and occasionally there were sentences that were a bit amateurish - but they only stood out because most of it was wonderful.
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