The Lost Daughter

NOW A MOTION PICTURE NOMINATED FOR THREE OSCARS--Best Actress, Best Supporting Actress, Best Adapted Screenplay--Directed by Maggie Gyllenhaal and starring Olivia Colman, Jesse Buckley, Paul Mescal, and Dakota Johnson
Another penetrating Neapolitan story from New York Times best-selling author of My Brilliant Friend and The Lying Life of Adults Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina's family in this "arresting" novel by the author of the New York Times-bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series (Publishers Weekly). "Although much of the drama takes place in [Leda's] head, Ferrante's gift for psychological horror renders it immediate and visceral."--The New Yorker "Ferrante's prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret."--Publishers WeeklyBUY THE BOOK
Community Reviews
weirdly enjoyed this despite having such mixed feelings about the narrator. loved the writing and the unflinching expression of the complexity of motherhood and the self
When I began reading The Lost Daughter, I was confused that I recognized the plot and the characters, then realized I had already seen the movie adaptation with Maggie Gyllenhaal. Iâd say the movie is pretty true to the novel, except that all of the characters in the book are Italian - Neapolitan.
I found it hard to empathize with Leda, a disturbed woman, who corrupts all potential relationships, even with her own daughters. Iâm still uncertain how Iâd like to interpret the endingâ¦needless to say, Iâm excited to continue my foray into Ferrante.
I found it hard to empathize with Leda, a disturbed woman, who corrupts all potential relationships, even with her own daughters. Iâm still uncertain how Iâd like to interpret the endingâ¦needless to say, Iâm excited to continue my foray into Ferrante.
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