The Billion Dollar Spy: A True Story of Cold War Espionage and Betrayal

By David E. Hoffman

From the Pulitzer Prize-winning author of The Dead Hand comes the riveting story of the CIA's most valuable spy in the Soviet Union and an evocative portrait of the agency's Moscow station, an outpost of daring espionage in the last years of the Cold War. Drawing on previously secret documents obtained from the CIA, as well as interviews with participants, Hoffman reveals how the depredations of the Soviet state motivated one man to master the craft of spying against his own nation until he was betrayed to the KGB by a disgruntled former CIA trainee. No one has ever told this story before in such detail, and Hoffman's deep knowledge of spycraft, the Cold War, and military technology makes him uniquely qualified to bring listeners this real-life espionage thriller.

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Published May 10, 2016

432 pages

Average rating: 8.11

9 RATINGS

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Community Reviews

Jurij
10/10 stars
Chapters:

1 OUT OF THE WILDERNESS
2 MOSCOW STATION
3 A MAN CALLED SPHERE
4 “FINALLY I HAVE REACHED YOU”
5 “A DISSIDENT AT HEART”
6 SIX FIGURES
7 SPY CAMERA
8 WINDFALLS AND HAZARDS
9 THE BILLION DOLLAR SPY
10 FLIGHT OF UTOPIA
11 GOING BLACK
12 DEVICES AND DESIRES
13 TORMENTED BY THE PAST
14 “EVERYTHING IS DANGEROUS”
15 NOT CAUGHT ALIVE
16 SEEDS OF BETRAYAL
17 VANQUISH
18 SELLING OUT
19 WITHOUT WARNING
20 ON THE RUN

Review:

Great little book about a single spy who delivered military tech info to USA. He worked in a lab and had access to a lot of documents in Moscow. Luckily it is the same city USA was allowed to have an embassy in as USSR was a closed nation. But even in Moscow there are KGB agents following all foreigners and also spying at Russians. You should even assume that all foreigner apartments and even the embassies are bugged and that there are ears and eyes everywhere. It's pretty much comparable to communist regimes today like Cuba, China, and North Korea. But here the main thing is that you cannot even walk on the street without being followed.

The audiobook is quite fun. It's not comparable to the greatest spy books like [b:The Spy and the Traitor: The Greatest Espionage Story of the Cold War|37542581|The Spy and the Traitor The Greatest Espionage Story of the Cold War|Ben Macintyre|https:i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1522906662l/37542581._SY75_.jpg|59145602] or [b:A Spy Among Friends: Kim Philby and the Great Betrayal|18773666|A Spy Among Friends Kim Philby and the Great Betrayal|Ben Macintyre|https:i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1413129627l/18773666._SY75_.jpg|37842388]

Yet it's not boring or bad in any way. It just doesn't quite reach the same level as books set in more countries, with more big characters, and a greater timeline. We are largely only in Moscow and largely hear about Adolf Tolkachev in his apartment, in his office, or walking alongside an American spy. And he is practically doing the same thing over and over. Taking photos of documents and delivering them to Americans who then use this knowledge to change what weapons systems they develop as now they know exactly what they need to focus on to answer USSR 10 years down the line. Meaning that this spy work got USA a heads up up to the 1990's. And the cost was extremely small as you couldn't really buy much in USSR so money was not that useful. Rather he wanted a few rubles, shaving gear, banned books, some tapes with Western music. And even this stuff was often not given to him or he had to wait years for it as the upper leadership didn't want to give him banned books or money he couldn't account for if KGB investigated him. So he got a few pennies for giving USA billions worth of data. It's practically the most bang for the bucks in world history.

The more I think about it the more I like the book despite it being too repetitive and small in scope. We learn a lot about his personal feelings on certain days instead of details about weapon systems or operations. I feel like the book could have gone into how Moscow felt and looked like, or how CIA and KGB worked. Or maybe gave us info on how regular people lived. We get a bit of that, but not enough to create big intrigue.

At the end of the day they were worried about KGB seeing them on the street or finding the illegal minicams they gave the spy. This was always the case in such missions. They made a huge deal out keeping hidden in Moscow. Of course pretty much all the spies uncovered in USSR were uncovered because their names and work was seen by double-crossing CIA/FBI agents in USA or agents in Britain and sold to USSR. KGB didn't uncover much in Moscow itself. And because intelligence agencies considered such leaks IMPOSSIBLE they never worried much about this. Once they were uncovered they were all executed. So a single CIA agent could get hundreds of Russians executed by selling USSR info on these people. Meaning that ALL spies in Russia would be killed in a year in such cases.

CIA had to wait for Russians to contact them to restart the spying. These Russians often had to try to contact them 10 times over over many years and often they wouldn't get a response back. With KGB everywhere it was not easy to make or keep contact so the Russian spies had to do 99% of the work and get next to nothing in return.

I do recommend it as an audiobook. It's not super deep, but it will give you a ton of info and have a clear though a tad repetitive storyline. Even though I recommend other spy books over this. Maybe as an audiobook it shines a tad brighter because you can keep it in the background while doing other stuff.
spoko
8/10 stars
You get a good sense of the tension & intrigue involved with the running of Tolkachev as a spy, and there’s an adequate amount of character development w/r/t both Tolkachev and the CIA. But the pacing definitely could have been stronger. In retrospect, it seems there might have been a natural arc to Tolkachev’s career as a spy, but as I read the book I found myself just moving from moment to moment, issue to issue. “Will they or won’t they give him a certain model of camera to work with?”—that sort of thing. I don’t think Hoffman did the greatest job putting it together as a narrative. Crises appear and then simply dissolve into air; small questions are given lots of time, without enough sense of why they merit it. It holds together, and I never had trouble getting into it, but it could have been stronger.

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