A New York Times Book Review choice as one of the 10 Best Illustrated Children's Books of 2008.

Skim is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth stuck in a private girls' school in Toronto. When a classmate's boyfriend kills himself because he was rumoured to be gay, the school goes into mourning overdrive, each clique trying to find something to hold on to and something to believe in. It's a weird time to fall in love, but that's high school, and that's what happens to Skim when she starts to meet in secret with her neo-hippie English teacher, Ms. Archer. But when Ms. Archer abruptly leaves, Skim struggles to cope with her confusion and isolation, armed with her trusty journal and a desire to shed old friendships while cautiously approaching new ones.

Depression, love, sexual identity, crushes, manipulative peers --teen life in all its dramatic complexities is explored in this touching, pitch-perfect, literary graphic masterpiece. Cousins Mariko and Jillian Tamaki collaborate brilliantly in this poignant glimpse into the heartache of being sixteen.


Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.5.7

Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).

CCSS.ELA-LITERACY.RL.6.3

Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

CCSS.ELA-LITERACY.RL.6.6

Explain how an author develops the point of view of the narrator or speaker in a text.

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144 pages

Average rating: 7.5

4 RATINGS

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1 REVIEW

Community Reviews

Max db
Apr 29, 2024
Besides a general location I have nothing in common with Kim, the main character, but this 1990's set comic was identifiable in tone as when I grew up. One of the reasons this book works, besides not sticking to many alternative comics reliance on older comedic devices used to serious ends, is because the impressionistic and symbolic quality of the art blends seamlessly with the writing and it doesn't pull any punches or become a melodrama. This is not a trauma-backstory but characters doing what society expects them to in ways that the Tamaki sisters do in a way that shows what comics can tell us.

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