Plain Bad Heroines: A Novel

NATIONAL BESTSELLER

"A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST

"A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLY

Named a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture •  Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more!

The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original gothic horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit

Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation and a searing piece of Hollywood satire, starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, oppo­site B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern her­oines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.

 A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read.

"Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake." –O, THE OPRAH MAGAZINE

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Published Oct 5, 2021

656 pages

Average rating: 7.03

60 RATINGS

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Community Reviews

What Bookclubbers are saying about this book

✨ Summarized by Bookclubs AI

Readers say *Plain Bad Heroines* offers beautifully written prose, rich atmosphere, and complex queer characters across dual timelines. Many appreciat...

Mary Raven
Jan 28, 2023
6/10 stars
Huh?

I didn't connect with the book. It makes it hard to rate. I gave it three stars because I think the lack of connection might be my fault.
Paukku
May 19, 2025
7/10 stars
Plain Bad Heroines is a novel that blends gothic horror, queer romance, metafiction, and modern satire into one twisty, wasp-stung package. With its dual timelines—one set at a cursed girls’ boarding school in 1902, the other during the filming of a movie adaptation in the present—Danforth clearly has a lot to say about storytelling, obsession, and the ways queer narratives are shaped and retold across time. Danforth’s prose is sharp and often funny. Her characters, both in the past and the present, are distinct, flawed, and fully realized. And the narrator’s voice—intrusive, self-aware, and occasionally conspiratorial—adds a unique flavor that helps keep things more or less grounded through the many twists and turns. But for all its cleverness, the book ultimately stumbles under the weight of its own ambition. What begins as a richly layered story ends in a way that feels less like purposeful ambiguity and more like indecision. After hundreds of pages of setup and suspense, the ending left me unsatisfied—not because it left questions unanswered (I usually enjoy that), but because it felt like the novel itself couldn’t decide what it wanted to be. It’s a stylish read, and one that many will enjoy for the writing alone, but for me, the payoff didn’t quite justify the journey. I’m glad I read it, and I admire what Danforth attempted—but I wanted more clarity, or at least more conviction in the ambiguity.
wardbunch
Mar 26, 2025
4/10 stars
Meh. Too many characters and too many plot twists. Way too long.
Ashli Hutchison
Nov 19, 2024
2/10 stars
I just could not get interested in this book. The plot, to me, felt all over the place, and honestly just not interesting at all. I got a little over halfway into the book, I read along to the audiobook. I did give it a real chance, and it just wasn't there, for me. I am not in any way saying it's a bad book, it just wasn't for me. I couldn't relate to the characters or the plot, much less get interested, it just was not my style of writing or a genre I read a lot. I picked this book up because it was listed as LGBTQ+ so my hopes of relating were quite high. I did enjoy bits and pieces of one relationship, it just all went so slow with little plot focus.
Mrs. Awake Taco
Nov 13, 2024
8/10 stars
So, I rated this as 4 stars because I really liked the atmosphere and the audiobook narrator, but for plot I think I would actually give it more like 3.5.



The reason I picked it up was because it sounded so goth and meta. A book about a movie about a book about tragic deaths connected to a book? Excellent. I love the whole genre of turn-of-the-century stuff, schools for girls, gothic stuff...

And as far as atmosphere, this book had it down. I'm not going to forget yellow jackets any time soon. Or the creeping algae. But in terms of plot, I wished it had been edited a little better.

The thing that got me was that the big reveal didn't do anything for me. There's all this weird stuff with Flo and Clara and the book, and then with Eleanor and the book. But then they get into this whole Brookhants things with Harold Brookhants, the Rash brothers, and this Simone woman. Honestly, it really took away from the whole experience. Everything was meant to fall neatly in place and to have it be very horrifying, but because Madame Verdette was such a small character and Harold Brookhants was such a small character and Ava Brookhants was such a small character, it felt like she was trying to pull a rabbit out of a hat and got a gerbil instead. And there was practically no resolution of the movie. They have this horrible scene where Elaine dies (off page, btw) and everyone is unsure of everything and then cut to Cannes. I guess I can understand that they don't want to get into the awkward and boring of it after that, but it just felt anti-climactic. Like, it wasn't as big of a reveal as it should have been. And we never actually talk that much about Flo and Clara and that seemed like a waste of a great storyline. Honestly, there was just too much. It was like Game of Thrones except for a gothic novel, and it works in neither.

I liked it! Will I read something else by her? Sure! Was I a little disappointed? Sure. Doesn't mean I didn't enjoy it overall.

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