Nightwoods: A Novel
NEW YORK TIMES BESTSELLER
Charles Frazier, the acclaimed author of Cold Mountain and Thirteen Moons, returns with a dazzling novel set in small-town North Carolina in the early 1960s. With his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine. Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways. In a lean, tight narrative, Nightwoods resonates with the timelessness of a great work of art. "Impossible to shake."--Entertainment Weekly"Fantastic."--The Washington Post
"Astute and compassionate."--The Boston Globe
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Community Reviews
This book is written with much of it centered around the Glen Choga Lodge which my husband and I have been restoring since 2019.
The action in this story, what there is of it, moves very slowly. For the first half of the book, nothing really happens at all. But then, suddenly, things start happening and connections start being made, and I couldn't help but feel that I missed some sort of catalyst in the narrative. It is entirely possible that I did miss some important bit, but since I'm pretty sure that I actually read every page, it seems more likely that Frazier decided that his readers would take a bit of the action on faith. In something like the reverse of dramatic irony, characters are suddenly referring to conversations and relationships of which the reader is unaware.
This kind of storytelling leaves me scratching my head and flipping back through the book to see if I missed something. (It also has me wondering whether the author chose to relate action to the reader in this way because he couldn't figure out how to actually write the scene where the critical interactions occur.) Frazier is talented enough to pull off these sudden transitions in a way that's not as aggravating as it might be, but I did still feel cheated out of critical parts of an otherwise beautifully told story.
This kind of storytelling leaves me scratching my head and flipping back through the book to see if I missed something. (It also has me wondering whether the author chose to relate action to the reader in this way because he couldn't figure out how to actually write the scene where the critical interactions occur.) Frazier is talented enough to pull off these sudden transitions in a way that's not as aggravating as it might be, but I did still feel cheated out of critical parts of an otherwise beautifully told story.
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