Night Watch (Pulitzer Prize Winner): A novel
PULITZER PRIZE WINNER • LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION • A NEW YORKER BEST BOOK OF THE YEAR • From one of our most accomplished novelists, a mesmerizing story about a mother and daughter seeking refuge in the chaotic aftermath of the Civil War—and a brilliant portrait of family endurance against all odds
"A tour de force." —Tayari Jones, author of An American Marriage
In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives.
The omnipresent vagaries of war and race rise to the surface as we learn their story: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee’s father, who left for the War and never returned. Meanwhile, in the asylum, they begin to find a new path. ConaLee pretends to be her mother’s maid; Eliza responds slowly to treatment. They get swept up in the life of the facility—the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution.
Epic, enthralling, and meticulously crafted, Night Watch is a stunning chronicle of surviving war and its aftermath.
"A tour de force." —Tayari Jones, author of An American Marriage
In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives.
The omnipresent vagaries of war and race rise to the surface as we learn their story: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee’s father, who left for the War and never returned. Meanwhile, in the asylum, they begin to find a new path. ConaLee pretends to be her mother’s maid; Eliza responds slowly to treatment. They get swept up in the life of the facility—the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution.
Epic, enthralling, and meticulously crafted, Night Watch is a stunning chronicle of surviving war and its aftermath.
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Community Reviews
Night Watch was not what I expected and I am surprised it was given the Pulitzer. A slog of a book written from the points of view of several characters many emotionally and physically pummeled by the Civil War. Despite being told from so many points of view, we never fully experience these characters’ inner selves and I struggled to keep interest in their lives. The most interesting passages are told from the point of view of an orphaned six year old who has been taken in by the cook in an asylum, but I quickly realized “Weed” was more of a plot device created to witness a very important twist in the plot than a fully fleshed out character. The inner workings of the asylum were the most interesting, but underdeveloped. I would not recommend spending time reading this undeserving Pulitzer winner.
I was prepared to be enthralled but was disappointed. Parts of this were interesting, but I struggled to care about some of characters or to understand their motivations. I had to push myself to finish reading it.
Wonderful character development and insight into post Civil War life for widows endangered by living alone. Turns out, the insane asylum was a safer option. The prose was unnecessarily dense, which made for slow reading. The author's refusal to use quotation marks was annoying and served no purpose that I could tell.
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