May We Feed the King: Booker Prize Finalist

By Rebecca Perry

FINALIST FOR THE 2026 BOOKER PRIZE WINNER OF THE 2026 WATERSTONES DEBUT FICTION PRIZE A curator is absorbed in the medieval world of a reluctant monarch in this searing debut about what becomes lost over time and what devotion can reanimate. A curator spends her days reconstructing the past--selecting and carefully arranging furniture, fabrics, and replica food to bring medieval rooms back to life. Whether it's a feast with spilling platters or a table for two littered with small hints of intimacy, it must appear as if the people have just left the room. After accepting a commission to work on the private quarters of a medieval palace, the curator becomes absorbed in the story of a king almost forgotten by history. As she studies the traces he left behind, the boundary between her own life and his begins to blur. The King is an unlikely ruler: a man with little appetite for power, hurried to the throne after the sudden deaths of his brothers. At court, doubts about his judgment are whispered from chamber to chamber. Then an unthinkable possibility emerges among the gossip: maybe someone else will take the crown. A riveting debut from an award-winning poet, May We Feed the King is a story seen through shadows and old slips of paper, heard through cracked doors and murmured breaths. It asks how history takes shape--and how the stories that survive can distort the lives they claim to preserve. Laced with desire and longing, Perry's novel is a searing meditation on the small details and large gaps that make up a life.

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Published Sep 29, 2026

288 pages

Average rating: 7.43

7 RATINGS

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Community Reviews

richardbakare
8/10 stars
Rebecca Perry’s “May We Feed The King” is a refreshingly creative feat of storytelling. It offers us a Simulacra and Simulation in the same sitting. The deeper story spawned out of the art of the preceding narrative. While at the same time the details of the deeper tale fuel the intrigue in the former. For me, Perry is challenging us to see the meaning and value in all creative work. Which is particularly poignant in a time where AI slop is being forced down our throats. Moreover, Perry challenges us to ask the question of when a job becomes a craft? Is there a conscious element to this transformation? The work of our first protagonist, making a living curating the echoes of past life, blurs perfectly into the lived experiences of the royal court of that past life. This duality and how it plays out in dialogue is what is so refreshingly great about this book. This is the read for you if you’re looking to inject a fresh jolt into your reading repertoire.

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