Husband Material (London Calling, 2)

An Instant USA Today Bestseller!
"Our favourite chaos demon & stern brunch daddy return in this delicious, ridiculous, and often poignant romcom about all the ways love can grow." --Talia Hibbert, New York Times and USA Today bestselling author
They fake-dated their way into love. Now it's time to face the one thing scarier than falling for someone--figuring out how to stay in love.
From Alexis Hall, the USA Today and Washington Post bestselling author of Boyfriend Material, comes a hilariously heartfelt sequel about love, identity, and the absolute madness of wedding season.
Husband Material reunites readers with Luc O'Donnell and Oliver Blackwood as they navigate the next chapter in their beautifully chaotic relationship. They're committed. They're happy. But when everyone around them starts tying the knot--often in extravagant, anxiety-inducing fashion--Luc begins to question whether "forever" needs a formal dress code.
This isn't a story about falling in love. It's about everything that comes after: the growing pains, the missteps, the tender, terrifying truth of building a life together in a world full of expectations.
You'll love its brilliantly British rom-com voice; full of sharp humor, emotional vulnerability, and authentic LGBTQIA+ representation. It's perfect for fans of Red, White & Royal Blue and The Charm Offensive.
Praise for Boyfriend Material:
"Brilliance on every single page."--Christina Lauren, New York Times and USA Today bestselling author, for Boyfriend Material
"The apotheosis of the rom-com."--Entertainment Weekly, A+ Review, for Boyfriend Material
"Every once in a while you read a book that you want to SCREAM FROM ROOFTOPS about. I'm screaming, people!"--Sonali Dev, award-winning author, for Boyfriend Material
"FAKE DATING, REAL FEELINGS, BEST JOKES."--Olivia Waite, award-winning author, for Boyfriend Material
"Fresh and vibrant."--Annie Carl, The Neverending Bookshop (Edmonds, WA), for Boyfriend Material
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Community Reviews
SPOILERS AHEAD WHY does it make any sense that after all that wedding planning, and fighting about wedding planning and genuinely resolving their disagreements about wedding planning..... does the final chapter include them both literally at the altar deciding 'marriage isn't for them.'
FIRST OF ALL, why isn't a wedding important to Luc, who for this entire book has been arguing about how important the right to marry is for his community. Also, the entire book is from his point of view. If he had a problem with like.... the institution of marriage why did it never come up in a single one of his many internal monologues?
and OLIVER, i just don't understand. This is the man who argued with all his queer friends that he rather liked and wanted a church wedding because he loves tradition and wants to be a part of it, but then in the very last section suddenly doesn't want to get married at all because it's a 'straight institution?' The CENTRAL CONFLICT of this book is that Oliver is a bit too traditional, is caught up in the trappings of tradition, and wants to be seen as respectable and is uncomfortable with any of the more ostentatious markers of queerness.
Honestly as a queer person it kinda felt like a slap in the face. I don't know, I just felt weird about it.
OVERALL:
The Pros:
1. Once again the banter is on point.
2. Once again, the sappy/romantic sections are cute as fuck
3. The whole section around Oliver's dad's funeral, and their fight and his complicated relationship with his father and how it affected him was really well handled. The best section of the book.
4. The delightful group of friends. Bridget and Priya do have my heart.
Cons:
1. The whole ending. See above.
2. Why do these adult men, who apparently essentially live together and see each other nearly daily, seem to never talk?
3. One problem I had with the section about Oliver's dad's funeral was the fight with Christopher. Like... I know on a logical level it does probably make sense that their parents were overly critical of BOTH of their sons and played them against each other, but on the other hand, as a reader who doesn't give a fuck about Christopher, and is VERY invested in Oliver, seeing their fight be resolved as 'i guess he sucked for both of us, and we both could've done more for each other/been a better brother' was so unsatisfactory. I mean, we all saw in the last book Christopher ganging up against Oliver with both of his parents it felt pretty shitty to not vindicate Oliver's pain here. Also - it reduced the real suffering of Oliver being raised in a homophobic household to a shared overly critical dad thing, which is very different.
Ultimately, I think this book reads like a very specific collection of fanfiction oneshots about Boyfriend Material. It takes all the characters and setting and humor that fans loved in the first and then offers five short interconnected mostly separate stories about their post-canon lives. Which is fun, but there really isn't a coherent plot or story, and some stories are more compelling than others.
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