Hamnet
England, 1580: The Black Death creeps across the land, an ever-present threat, infecting the healthy, the sick, the old and the young alike. The end of days is near, but life always goes on.
A young Latin tutor--penniless and bullied by a violent father--falls in love with an extraordinary, eccentric young woman. Agnes is a wild creature who walks her family's land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is just taking off when his beloved young son succumbs to sudden fever.
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Community Reviews
The grandfather, John, was a mean son of a ba$tard taking cheap swings at not only Will but now Hamlet. He was a sick man who hated himself and life and he took it out on others. He cheated people and was a mean drunk and couldnât âunderstandâ why people even at the church didnât want to go with him for a drink. Wait, he was bannedâ¦from a church of all places. Now thatâs bad. It was just a bit hard for me to keep up with the chapters jumping back and forth between the timelines because I was already having problems trying to motivate myself to finish the book but it is for my book club so I was committed.
Tbh, again, if it was not for the fact that I was reading this for my book club, I would have put this in the DNF pile.
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“She grows up feeling wrong, out of place, too dark, too tall, too unruly, too opinionated, too silent, too strange. She grows up with the awareness that she is merely tolerated, an irritant, useless, that she does not deserve love, that she will need to change herself substantially, crush herself down if she is to be married.”
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“The sound that comes out of him is choked and smothered, like that of an animal forced to bear a great weight. It is a noise of disbelief, of anguish. Agnes will never forget it. At the end of her life, when her husband has been dead for years, she will still be able to summon its exact pitch and timbre.”
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“He has, Agnes sees, done what any father would wish to do, to exchange his child’s suffering for his own, to take his place, to offer himself up in his child’s stead so that the boy might live. She will say all this to her husband, later, after the play has ended, after the final silence has fallen, after the dead have sprung up to take their places in the line of players at the edge of the stage.”
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